Category: Album Reviews
March 28 2009

A Real Name Behind Real Blasty

Kyle Andrews – Real Blasty (Elephant Lady)

I won’t lie; everything about this album screams “hate me!” First of all, I’m not a fan of artists that go by their real name, especially when his or her name is already boring to begin with. And the sound: synthesized pop with extremely melodramatic lyrics? Sound good to you? NO. But, but actually listening to the album, Andrews created something worth attention.

The album opens up with “Sushi.” He yearns for love and it’s unclear if it’s reciprocated. The vocals and lyrical content may come off as whiney at some points and too processed at others. It’s the mix of these extremes that made me listen to the album a 3rd and 4th time.

No one can say the tracks are the same. The track order is perfectly organized to accommodate all of the various sounds. Andrews appears to cover the pop-ification of today’s mainstream rock with some electronic help. One of two of the tracks reminds me of Moby and Radiohead combined making pop music, others remind me of Maroon 5 & other VH1 “boy bands”.

It’s not for everyone. But if you are a lover of pop music and variances on the pop genre, then give this Chicago soloist a try.

C+

Track Listing:

1.       Sushi
2.       Naked in NYC
3.       Polar Bear
4.       Call and Fade
5.       Tennessee Torture Dream
6.       Put Your Hands Up
7.       A Constant Wavering Between The Real and The Abstract
8.       Blow It Out
9.       Take It To Heart
10.   I Wanted To Paint A Rainbow
11.   Cut and Paste
12.   Bus

Image Source: Amazon

March 20 2009

Sparks’ Pop-Opera Gimmick

Sparks – Exotic Creatures of the Deep (Li’l Beethoven Records)

Pop opera, popera – whatever, it is. It is captivating, strange but pretty cool. With pop elements and vibrato vocals and embellished sound to accompany often humorous lyrics, Sparks is a master of the genre megaship. Sparks is a 2 piece band made up of Ron and Russell Mael that has been around for a few decades. Exotic Creatures of the Deep is their 21st release.

“Good Morning” is about getting drunk and waking up to a beautiful stranger and assuming it was a glorious night. The track walks the listener through the situation making it extremely relatable. First, he wonders who this person is and then takes time to thank God for the probably glorious night, all in an over-orchestrated way.

Sparks, is like the beginning of “Bohemian Rhapsody” before it broke into a rock song with high pitched vocals he creates something fun with a somewhat serious sound. With an ornate sound including organ, vocal rounds, and backing choral arrangements, it’s something you don’t hear everyday.

Anytime Sparks will come up on shuffle, I’ll probably listen to the whole album; it’s just that captivating. The pop makes it catchy and dancey, the opera makes it intriguing and gives it the right amount of gimmick to want more.

“I Can’t Believe You Would Fall For All This Crap In This Song” is a kick in the pants answer to the romantic songs that fill the airwaves. While “love” songs usually say over the top promises, Russell sings “I love you, only you,” he also responds by wondering how anyone could fall for empty promises like that. It makes a statement to the girls who take song lyrics and promises of love forever as something more than a rhyme. It’s just a (rhyme) scheme. (Ooh Snap!) It’s another relatable and honest song.

“Photoshop” is one of my favorite tracks. Not only does it mention something seen everyday, it puts it in the context of real life and relationships. Once again, it’s humorous and has a recognizable/relatable action. The connection of Photoshop to real life mixed with kooky musical elements and even a delicate piano makes this song so delicious. Not to mention, this song would make it on my break up playlist if I was to create one.

Besides that this album has left Sparks open to an Adobe lawsuit,  it’s a great album. When you needs something fun, but not over powered with bass, then definitely put on some Sparks.

B-

Track listing:

  1. “Intro”
  2. “Good Morning”
  3. “Strange Animal”
  4. “I Can’t Believe That You Would Fall for All the Crap in This Song”
  5. “Let the Monkey Drive”
  6. “Intro Reprise”
  7. “I’ve Never Been High”
  8. “(She Got Me) Pregnant”
  9. “Lighten Up, Morrissey”
  10. “This is the Renaissance”
  11. “The Director Never Yelled ‘Cut’”
  12. “Photoshop”
  13. “Likeable”

Image source: Amazon

March 18 2009

Swan Lake – Enemy Mine

Swan Lake – Enemy Mine (Jagjaguwar)

Swan Lake’s back with their unique vocal styles and almost abstract use of beats and instrumentation. The vocals remind me of Band of Horses while the music remains more experimental.

There is some humor in the album that makes it more captivating beyond just their sound. In “Spanish Gold 2044”, the music becomes almost like a dark electronic gothic number. “Paper Lace” is more pop that the previous song. The lyrics are also more pop with the abstractions in both “harmonies” and instruments. It makes the track unique and impossible to simply classify and move on.

Heartwarm” I believe is making reference to The Producers with the line “is it spring time in Paris for that piece of shit?” But it turns out he’s not talking about Hitler, but rather a relationship and/or life gone awry. With piano playing, heartfelt singing matched with crescendos, the song becomes almost epic.

In “Settle on my Skin”, the tempo picks up, along with an addition of electro distortion. There is a huge and wonderful juxtaposition between the almost classical piano playing and the electronic noise that really makes the song, and album, something to revere. There are also parts of the album that become too theatrical as in the track titled “Peace.”

No matter how you look at it, the album offers a uniqueness that is often attempted in this saturated market; however Swan Lake maintains a balance of successful sincerity and entertainment album after album.

Track Listing:
1. Spanish Gold, 2044
2. Paper Lace
3. Heartswarm
4. Settle On Your Skin
5. Ballad Of A Swan Lake, Or, Daniel’s Song
6. Peace
7. Spider
8. A Hand At Dusk
9. Warlock Psychologist

B+

Image Source: Amazon

March 16 2009

Chatham Singers Make Classic and Sexy Blues

The Chatham Singers – Juju Claudius (Damaged Goods)

With a classic blues (slightly rock) style including a harmonica on some tracks, this 4 piece UK band mixes the Raveonettes male/femae vocals with the grit and grime of The Black Keys’ inspired blues rock. The collection of power grooves and slightly distorted vocals can transport a listener to a different time and place from present day England, from which The Chatham Singers were born. I am transported into Black Snake Moan except Christina Ricci is dancing to this.

It has a sex appeal either from the “moaning”-like vocals or the sultry groove of the drums and harmonica (as in the track “Son Of Art”). The lyrics even are suggestive by saying “I’m gonna paint you, every little part of you.” With a range of moody blues to country fried blues with “The True Story of…” to a more uptempo beat that reflects a similar mood and feel as “A Man of Constant Sorrow” (from the film, O Brother Where Art Thou).

“Queen Bee” is a total chick song, which is rare to hear in today’s blues-inspired indie genre. Another favorite is “The Right Mistake”. The chorus is “I made the right mistake by not marrying you.” It’s both sexy and powerful. It’s an anti-romance song but still embodies classic blues. I guess that’s’ what I like about them. They really stay true to the blues, but they still make each track modern without becoming gimmicky.

What’s going on in the UK? Is there something in their water that is bringing out the music in a true and homage respectifully way? (See: Heavy – Great Vengeance and Furious Fire)

C+

Track Listing:

  1. All Who Cheated and Lied
  2. Juju Claudius
  3. An Image of You
  4. Upside Mine
  5. The Son Of Art
  6. The True Story of Elizabeth Sargent
  7. Queen Bee
  8. Evil Thing
  9. Angel Of Death
  10. Demolition Man
  11. The Right Mistake
  12. The Good Times
  13. Bring Me Water
  14. Baby What’s Wrong

Image source: Raucousshop.co.uk

    February 24 2009

    Titus Andronicus – New Jersey Trash?


    Titus Andronicus – Airing of Grievances (re-released by XL)

    With the opening track lathered in reverb, delay and other effects; it’s really easy to write off the band. And I practically did… until the song unfolds to a rip rearing  “fuck you”. Armed with electric keyboards, guitars and youthful vigor, Titus Andronicus pulls you into a sweaty stuffed room filled with dancing and good times. With careful, but fast guitar work, you realize it’s not just fun but it’s good too! Enter cellos, enter instrumentation!

    In the opening track, they paint a picture with this music that relates to the title. It really is “Fear and Loathing in Mahwah, NJ.”
    “Time Outside The Womb” is a funny narrative. Played with enthusiasm, the song relies on the lyrical content more than anything else to make it noteworthy.

    The next track opens with what sounds like a harmonica and then resolves into incoherent yelling. While some of the songs are compelling on both a musical and/or lyrical content, others just seem to lack.

    “Arms Against Atrophy” is a pop song with a strong beat that you can’t help to bop around to. The whole album makes you root for the guys hoping for the majority of the songs to be as compelling as the emotion that the lead singer is expelling.

    Another interesting thing about Titus is that the songs are longer than most tracks made in the pop/rock genre. A live show filled with these 4-5 minute songs has to be absolutely crazy. Or exhausting.
    In most tracks, the guitars could be considered as wailing, but by listening closely, the echo/”sing” the vocal line instead of doing their own separate contribution.

    “Upon viewing” combines the drumbeat of a basic pop rock with the vocals of today’s indie pop punk. It combines innocence with a type of earnestness that a musician can convey. The addition of strings in this genre is really worth a mention. However, I wonder that maybe their choice of instrumentation, it really is something to make a note of.

    When Andrew Cedermark sings, it sounds similar to early Bright Eyes where it is part whining but still compelling.

    Titus opens with a banging piano and transitions into a fast tempo anthem of sorts that reminds me of “Old McDonald had a farm”. While the lyrics are bitter and singing of a cautionary tale, this song has to be a joke when they broke into a chant of “You’re life is over”.

    Overall, I don’t feel that Titus Andronicus is doing anything new. Their lack of innovation can be ignored due to their high energy and overall youthful fun. To me, if Titus Andronicus comes up during shuffle, it will be played for probably a minute before switching to the next song.

    A-

    Track Listing:

    1. Fear and Loathing in Mahwah, NJ
    2. My Time Outside the Womb
    3. Joset of Nazareth’s Blues
    4. Arms Against Atrophy
    5. Upong Viewing Brueghel’s Landscape With The fall of Icarus
    6. Titus Andronicus
    7. No Future
    8. No Futute Part Two: The Days After No Future
    9. Albert Camus

    Opinions expressed on this blog are purely and personally those of myself, Sara Knee.
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